Black and White Photography Blog, Vol. I

Black and White Photographs of New York - Dave Beckerman

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Month: December, 2007

epson 7800

30 December, 2007 (16:29) | cameras, film, digital workflow... | 11 comments

Well folks - after waffling like a political candidate - I’ve decided that I’m going to buy the Epson 7800. This is the one before the 7880 with a 24 inch roll paper width. The price has come down to $2000. It comes with a stand but I’m going to place it on two pieces of secure furniture. Although WHCC has been very good for doing large prints - I’m not crazy about the glossy paper, and I need control over the entire process to make slight corrections. The new printer, 7880, has some features that I don’t need, and some that may prove to be useful, but I also see that they’re already into their next product cycle with the Epson 11880 ($14K) which will eventually trickle down to smaller printers.

The 7880 has vivid Magenta, which is useless to me; but they also claim to have a coating on the nozzles that will prevent clogging (which is useful) but I don’t believe it until it’s been around for a while.

I can take the money I save and use it for ink and paper. I can then revise my site so that large prints are done on the same Crane/Museo silver rag that I love and use for all my prints.

I may get it from ShadesOfPaper - if they can get the freight guys to bring it up the stairs. Otherwise, I’ll do it with B&H and their White Glove Service which will unpack it, set it up, and get rid of the box. I haven’t hit the button to buy yet, but it will be within the next few days.

I’m going to keep the 4800 for smaller prints and as a backup printer.

I may not mat the larger prints - packaging gets pretty huge - and I’m not sure if I can deal with that yet. But we’ll see. I’d like buy it quickly now as I’ve got orders for a number of large prints.

workplace-004 epson 7800

Indian Dwelling, AZ

28 December, 2007 (19:48) | black and white photography | 3 comments

Excerpt from my forthcoming calendar, Trial By Clicking, 1980 - 1990. A New Yorker out west. I was more nervous out here - not a soul in sight for miles - than any of the “mean streets” I been down in New York. I kept thinking - what if I get bit by a rattlesnake - or maybe there are ghosts of Indians wandering around. It was all very spooky. Eventually a tourist bus came by and emptied out and I felt better.

Fascinating, that when I look back at my Southwest adventures (3 visits) the shots all contain human-made artifacts.

Indesign, PDF, Photoshop

28 December, 2007 (08:19) | POD Photo Books, Blurb, VioVio, SharedInk, MyPublisher | 4 comments

pdf-psd-2 Indesign, PDF, Photoshop

A lot of POD publishers won’t take a straight PDF file (sharedink.com included). They’d like you to upload your jpgs (usually level 10) for each page. They can be zipped with SharedInk and loaded as one file but once up there you may need to arrange them manually, or in some cases they will fall into place depending on the file numbering scheme. In other words, if your jpgs are numbered 1.jpg, 2.jpg etc. they’ll get paginated that way.

But I had been trying to figure out how to automatically break up the inDesign file into separate numbered jpgs or photoshop files, or to do the same from a PDF and here is the neat (or cool, or whatever the current word is for something swift) that will save me a lot of work.

Of course when you export the inDesign document into the PDF there are a number of pitfalls you’ve got to watch out for - but that’s for another post. Also, since this will produce 8-bit PSD files, you’ll want an action, and maybe a batch process to create the jpgs.

It is true that with this method you are rasterizing the text and vector stuff - but it’s going to get rasterized at some point - and from my tests so far - so long as the anti-alias box is checked, I don’t see any issues.

As a side note - I did try this through Acrobat as well - but got jaggy rasterized type. I couldn’t find the “anti-alias” switch in Acrobat.

More Slideshows / Movie Clips

27 December, 2007 (03:41) | black and white photography | No comments

Add Dave Beckerman Photography to your page

Most Common Question

23 December, 2007 (14:38) | black and white photography | 11 comments

This is a compilation:

Mr. Beckerman,

I would like to be a professional photographer. I have my own website - but I haven’t been able to sell anything. I read your article on selling photos on the web- and it was very informative - but I still haven’t had any success. Most of the people that I’ve shown my photographs to say they are very good. I’ve been taking pictures for [1 - 30 years]. I would appreciate any advice you have.

Sincerely,

[Aspiring Photographer]

This sort of email arrives like clockwork twice a week. If the person has a website, I will click on it. Mostly what I see are color photographs of sunsets, pets, family, and vacation pictures. Once in a while I’ll see something that is great in it’s own unique way.

Here are some of my own replies:

“I wouldn’t start to do it as a business until you have 25 great shots.” (Frankly I don’t know if I’ve hit that mark yet).

“Do you know who exactly is your niche audience? Can you put yourself in their shoes? Do you care about who they are one way or the other?”

“I sold one print during my first year on the web, and that was by check, and that check bounced.” (True story).

“Don’t quit your day job. There’s no reason to. Give yourself a few years to establish your web presence. You can work on your website while still getting an income - unless you don’t need the income. Then that’s another story. Even if you have great images, and do everything right - there’s just no saying that you’ll be able to make a living at it.” (I built up my web presence for about three years while I was working full time).

“Please - you have to edit your images. Don’t show slight variations of the same shot. Pick the one that’s best and offer that.”

“Don’t expect overnight results. Decide that you’re going to give it six years - yes six years to get to a point of scratching out a living.”

“Don’t let anything that I say - or anyone says - discourage you. ”

“Keep taking pictures for yourself - but sell what you believe they want. Figure out who they are by constant testing.”

Things along that line. The most amazing thing - and what gives me a clue as to what to expect - is that it is rare for me to get a thank you e-mail.

Now that could be because I’m being too harsh. Or it could be because the recipient expects some sort of magic formula (which there isn’t - at least I haven’t discovered it). But I think in the new digital world - instant business results are also expected.

I have seen so many photo websites launched with great expectations - only to see them fold up shop after a year or so. I chalk that up to the idea that somehow or other you just need to post your great photos and you’ll find an audience. It could happen, I suppose - but it’s a one in a million shot.

Six years? You’ve got to be kidding. In six years you could have gotten yourself a college degree and an MFA. Six years just to have a shot at scratching out a living? Of course that sounds sort of nuts - but I’d expect you’d find it takes at least that long or longer in any of the arts. I worked at perfecting - at least technically - my shots for about 15 years before I even had any idea of presenting them to the public. And even there I had to be convinced by a friend who wanted me to enter a local art fair. And even after that - with a fair amount of oohing and ahing - I was afraid to move into the business side of it because that had always led to taking the joy out of it all. (My experience with filmmaking…)

How many actors are on unemployment insurance? Probably around 90%. How long does it take the average actor to “make it.” You don’t want to know. Most never do.

The artist, in any field, goes on because they have to. They just don’t have much of a choice. Believe me - I tried to give it up - but couldn’t.

Sometimes this leads to ultimate destruction; and sometimes to great glory. You may pay your dues for decades and still not be admitted to the “making a living at it club.” You may check out without ever having sold a print - and still feel it was a life worth living.

The internet path, just like all marketing paths, is different for everyone. I try to give glimpses into my own path - but that’s all I can do. I’ve tried my best to describe my own path - but keep in mind that I’m an ancient guy (in your eyes anyway) - and that I failed at so many artistic endeavors you’d have to be half-crazy to go on with it, ‘half’ being the operative word. Some part of you has to remain sane, and pragmatic to make it work. And by sane, I mean - letting go of your ego and being able to stand back from it all. What I am confident about - is that no artist will stop doing what they’re doing because some so-called authority figure puts them down. If that were true - there’d be no actors in the world. Can you imagine being rejected for 90% of the auditions you go for. And right then and there - face to face.

I go back to actors - because having worked with them for 10 years when I did filmmaking - I see them as the bravest of the brave. Imagine this: Van Gogh has been painting and living in poverty (supported by his brother Theo) for years and years and finally, one day, towards the end of his life - someone wants to buy one of his paintings. He’s so overcome with happiness - that he refuses to sell the picture - but instead gives it to the collector for free.

A salon finally agrees to show a collection of his pictures - but he refuses to let them have any because they rejected him so often in the past. Van Gogh is another hero - though I don’t think he was able to stay sane or pragmatic as recommended in this post.

Paris, Morning

22 December, 2007 (15:00) | black and white photography | 3 comments

I sure would like to go back to Paris for a while. I’ve been there twice - no, three times, and have a nice big box of negatives that I look through once in a while. It’s been at least 10 years since my last visit. But I love the Paris morning. On a slightly chilly April morning - the light envelopes you.

Next up in my web world - among so many things to do - is a gallery where I can put my non-New York work - hopefully without scaring off too many customers. I’m also working on an inexpensive proof book (with WHCC) that can be used as a portfolio and sent out to some of my design firm prospects.  I have to say that I have fallen in love with WHCC - if you can fall in love with a vendor.  Another vendor I’ve got a crush on is Uline.  You’d be surprised how emotional I can get about corrugated cardboard (200 lb).

Black & White Spider Award (SNAFU)

20 December, 2007 (21:29) | black and white photography | 14 comments

UPDATE: DECEMBER 22nd:  TWO BOOKS, AS PROMISED, ARRIVED TODAY. 

* * * *

My first annual SNAFU award goes to the Black & White Spider Awards.

www.TheSpiderAwards.com

January 16, 2007
Dear Dave,

We are delighted to announce your nominated image has been selected to be published in our first book “The World’s Greatest Black & White Photography, No. 1.”

The book showcases over 450 of the most outstanding images from the Awards and is accompanied by comments and quotes from photographers and panel members. Your submitted Spider Awards entry entitled “Crossing Brooklyn Bridge” has been selected to be published as part of the collection…

* * *

April 22, 2007

Hi,
My print “Crossing Brooklyn Bridge” was included in the book and I ordered a copy at least a month ago.

Haven’t received it yet.

Is the book released and has it started shipping?

Dave Beckerman

* * *

Hi Dave,
Thank you for your email. We had to reschedule the book release because we changed our fine art printer. It will now be released in September. I have looked through our records and do not have an order from you for the book.

Could you let me know when approximately you ordered, and if you have a receipt I can research it that way? I apologize for any inconvenience.

Best wishes,
M.

* * *

April 2, 2007

Michelle,

It was through Paypal:
Item Amount:$19.90 USD
Shipping:$0.00 USD
Handling:$0.00 USD
Quantity: 1 Item
Title:Miva Merchant Order #122753
Date: Jan. 20, 2007
Time:06:18:51 PST
Status: Completed

Regards,

Dave

* * *

June 15, 2007

Hi -I’ve written to you about this before.

Last year I was nominated, and published in the Spider Awards book. The printing was delayed several times.

Name: David Beckerman
Although I paid for the book through paypal and emailed a receipt number - I still haven’t received a copy of the book and was still told you haven’t any record of my paying. I really don’t plan on paying twice for something that was delayed what - six months or more?

I would like to publicize the awards etc. in my blog, but pretty soon I’m going to have to write up this series of mishaps.www.beckermanphoto.com

At some point I would like to receive the book in which I am published and have paid for.

Could you please get back to me about this.

Dave Beckerman

* * *

June 27, 2007

Hello,

I was published in the Spider Awards Book (Crossing Brooklyn Bridge Photo) and I also paid for the book with paypal several months ago. I know the book was delayed when you switched printers. Is it available yet? And do you have a record of my order?

Dave Beckerman

* * *

September 10, 2007
Hi Dave,

Thank you for your message.

“The World’s Greatest Black & White Photography” has been re-scheduled due to the changing of our fine art printer. Copies will now be shipped this month.

I appreciate your frustration with these delays and am grateful for the patience you have shown. Please accept an additional copy of the book with our compliments, therefore 2 copies will be shipped to you later this month.

Please contact me if you have any further questions.

Best wishes

S.

* * *

As of this writing (December 19th) still no book(s). Should I write another email or just let it be. Here’s a link to their website: SpiderAwards

* * *

 

To Whom It May Concern

20 December, 2007 (17:08) | black and white photography | 6 comments

The end results of a hectic and very successful Christmas season. Sometimes I get an email addressed to “who it may concern.” I want to say - it concerns you and me, and that’s about it.

Sometimes it is a phone call, and I answer, “Dave speaking,” and the caller is surprised to be speaking with “the artist.”

I am often tempted to click the phone and then come back with another voice saying that the artist will be on in a second - please hold the line.

The website seems to disguise the fact that there is one guy in a tiny apartment printing, packaging, and actually answering his own phone.

People want to come to my show room. They want to know what gallery I’m in.

Well, I guess that if you want to buy the same prints for 7 times as much, I can make arrangements with a gallery, though I’d have to close down website sales. Not bloody likely. I don’t need recognition. I don’t even want recognition from the art world. I just like the idea that one of my prints is on a living room wall somewhere. And I love when my shots are used for book covers, especially when the novel is written in a a foreign language. There are books on my shelves written in Greek, French, Italian - using one of my images on the cover and that is a great thrill for me, more so than if the image is used for an English language book.

But frankly, sales at whatever price are the important recognition for me. When I do get some award, or something prestigious happens and I put it on the web site, it’s not because I get some big kick out of it - it’s just a signpost to tell people out there that they may not be crazy to buy a print or two from me.

The most annoying night I ever spent (photography-wise) was at a gallery show I did years ago. Maybe I have a social phobia or something - but all these people milling around eating soft cheese asking questions about the prints (and sometimes buying them) was excruciating. Look, the only soft cheese I like is cream cheese.

At that opening I sold a print to a guy who only wanted it because it was number one of a limited edition. I visited him a few years later and there was the print in the hallway of his huge Park Avenue condo in an ornate frame that scared me.

“In the room the women come and go
Talking of Michelangelo. ” - T. S. Eliot: The Love Song of J. Alfred Prufrock

I’m not totally immune to recognition - if Bob Dylan bought a print - that would thrill me down to my toes. But I don’t have many idols like that.

Now, if I could afford to rent the apartment next to me which is available now for $1800 (one tiny little bedroom that you might be able to fit a queen size bed in) I could have a nice showroom. But - uh -

This is New York. This is the upper east side of Manhattan. I could tunnel, secretly between my apartment and the next door apartment and have a suite. Again - prices would go up substantially - and that could very well put me out of business. That would be just like me - kill many years of hard work because of ego. Oh sure, I’m represented by the xyz fine art gallery in Soho and they have 12 of my prints on the wall. Nah… I like my web home where I can offer over a hundred prints at various sizes.

(Right now, they’re sanding the floors next door with some sort of nuclear powered machine, and nearly knocked me from my bed with whatever power tools they’re employing. My fillings are ready to pop out if they don’t stop soon. )

I sell prints to the high and mighty, and the low and mighty. But I suspect that the majority of them live in nicer places than I do. I recently sold two prints to the president of a huge investment firm with a duplex on Park Avenue.

But am I complaining - not really. I’m just trying to show the reality between the gifts that go out - and yes - I would estimate that 75% of my prints are bought as gifts - and the cramped, cluttered world that I live in.

Anyway - thought it would be funny to show Santas workshop where it happens - and I hope that I don’t get sued by my favorite packaging company for showing their name in image. I have to go now - because they’ve started up the machines again - and to make things worse - the building that is going up behind me has just started doing some dynamiting which is rattling the windows. Right now it’s like living in a war zone that stops promptly at 5 o’clock.

And all of that is a way of saying - thank you — because you’ve made my year and I’m happy as a clam with how it is all going.

I hope you can all achieve your dreams - no matter how cluttered or noisy they are.

Tomorrow I’ll turn around and show you the rest of the operation.

Born in the Bronx

16 December, 2007 (20:34) | philosophy | 4 comments

A few years ago I tried to figure out where my identity came from, or to put it another way - what was the first thing that came to mind when I searched for an identity. The best I could come up with was that I saw myself as a kid from the Bronx.

That was my home town. For about three years, whenever I had a chance, I took the 6 train or the 4 train up to my old home town and took pictures. Sometimes I brought a tape recorder along and did interviews with strangers.

I took hundreds of pictures and was even able to get back into my old Bronx apartment (which we left when I was 12).

We lived on the first floor, 1636 University Avenue. I had no idea why it was called University avenue (later found out why) - but it was a fitting name as just about whatever I learned was on that Avenue.

Fragment:

I remember the night before we moved. We had spent the day shaking out roaches from the large collection of my fathers books. It was a horrible night. Roaches were all over the place, and our greatest fear was bringing even a single one to our new apartment. There was white roach powder spread on the floors; the Raid spray was suffocating.

The story goes that when my younger sister and I were sitting in the doctor’s office (she was 5, I was 7) - a roach was seen crawling up the wall. The women in the waiting room scrambled. My sister, five year old sister coolly rolled up a magazine and squashed the offending bug, then sat down without a word.

When I returned to our apartment 40 years later, I asked the woman who was moving out if they still had trouble with roaches. She told us the place was infested with them. When my father and I walked in - we found white powder sprinkled in all the corners and crevices.

Who says you can’t go home again.

[editor’s note: I have warned Dave that stories about roaches is not a way to begin his book on the Bronx, but so far he has ignored me as usual. I would suggest something a little bit more heartwarming, though he claims that he doesn’t have any heartwarming stories.]

WHCC

13 December, 2007 (21:34) | black and white photography | 2 comments

I did a test book with WHCC, and a bunch of 8 x 12 & 11 x 14 prints on Glossy paper.

1. The cover of the WHCC book (10 x 10) is done with an inkjet, and is fabulous.

2. The paper is not nearly as heavy as the paper used in the SharedInk book, and has the usual distinct magenta cast when viewed under tungsten light. As I’ve mentioned before, the SharedInk book is neutral - or as neutral as you can get under tungsten light.

3. The glossy photographs from WHCC are great. Of course these are not done with ink but with darkroom technology. They match my calibrated screen perfectly.

The turnaround time from these guys continues to be fantastic. Two days to produce, and free 2-day UPS shipping.

So, unfortunately - can’t use them for the book; and will continue with SharedInk for the books.

Will use WHCC for any sort of large series of small prints; for larger prints than I can’t do with the 4800. I won’t step up to the 7880 for larger inkjets.  And maybe - just maybe I’ll use them for all my photo printing needs. I’m not sure about that yet.  And I’m not even sure why I’m not sure.

Next step - I’m going to do some photo cards with them. I’m not going to do press cards as I figure I’ll end up with the same Magenta issues.

Rush

12 December, 2007 (01:09) | black and white photography | No comments

I put up a note on the home page saying that I can’t take any more orders for Christmas delivery. I really can’t. I still have a stack of orders to finish; and it took longer than expected for me to get the whole Hudson order together and shipped, and my nerves are shot.

I have a book order in with WHCC (10 x 10) and should have it in a couple of days. I also made a book with them that’s letter size (much cheaper), and once I see the first book, I’ll make corrections and give them the letter-sized book.

There were a lot of calendar orders.  I hope I can get them from SharedInk in time for Christmas delivery.  It’s going to be close.

They’ve also got about five prints from me - this time 8 x 12’s and one 11 x 14. I continue to be astonished by their turnaround time. Did the prints on glossy.

I also have some inquiries for cards - and this time (rather than printing them myself as I did a few years ago) I’m going to have them done at WHCC. In short - my plans for the next few months are to get out and shoot a little; but also to continue with turning my raw material (images) into various products.

Happy holidays to one and all - as I hit the hay early tonight. Man - what a year.

work - work - work

10 December, 2007 (00:50) | black and white photography | 4 comments

Dust Jacket - 10 x 10 - WHCC New York Mementos. I probably should have written something for the left flap - but I couldn’t figure out what to put there. The right flap is a mini-bio. I also started making little “Certificate of Authenticity,” cards that I place in the envelope. Presentation, boys - just presentation. It would probably be more enticing if I placed a dollar bill in each packet.

It’s true - I’ve accomplished most of what I had to do.

- 80 prints matted for the Hudson News purchase; they’re also going to display the New York Memento book. They were also going to take some calendars but I couldn’t get them printed fast enough for the store that’s opening on the 17th. I did a quick-and-dirty calendar with digi-labs. Printing is good but the paper is not as thick as the SharedInk calendars.

- Speaking of the Memento Book; I’ve also submitted one to be printed by WHCC. This is a 10 x 10 inch linen cover with full dust jacket (flaps included), and 40 prints. My cost: $109. Free 2-day shipping. The most fun part of this is designing the jacket.

- Did some 5 x 7’s with WHCC, and they look great. Glossy seems to be my favorite paper among their choices. I’m going to do some larger ones with them next. I still haven’t decided if I’m going to switch over to them for all my printing as opposed to inkjet. It’s a very close call with pluses and minuses on both sides. The main thing is that it’s easy to make the switch to them - and see how things work out - and if there are problems go back to my own printing.

- I’ve caught up with all the orders except for new ones which came in over the weekend, and one print that’s going to England. All in all, I’d guess that my business during this season doubled over last year. Frankly, I have no idea why.

- There are two large corporate prospects in the wings.

- And since things were so hectic I was wondering whether I’d make any mistakes, and I did make one - sent the wrong print to one customer. Sort of had a feeling that was going to happen.

- Haven’t snapped a picture in about 6 weeks.

- The Eye-One monitor calibration has been up and running for two weeks. Works flawlessly for me.

- I wiped Norton off my drives because it was causing my machine to crash.  That was an adventure.  I had to go to Norton’s site to get a program to wipe it out.  Replaced it with CA (Computer Associates) suite - which seems to be working so far.  Knock wood.  Sort of wonder where the idea of knocking wood for good luck began.  Maybe back with the Druids.

* * *

It’s a long way from the days when I stood in front of the Met. in the cold morning waiting for customers. I have to admit, I don’t look back fondly on that period at all. God - so much haggling. Waiting and waiting. Sometimes nothing for hours. Once in a while a sale or two. The photographers always wanted to hang around and chat photography but never reached into their pockets. Whenever I stop by there, if I see something that halfway interests me, I buy it, just out of remembrance of those days. I still see a few of the regulars out there - but man - that is a tough way to make a living.

Of course the same phenomena happens on the web where tons of people stop by and browse - but you don’t have to stand there and watch them. In fact you don’t even know who they are or what they look like. And then, one day, seemingly out of the blue - they buy something - telling you that they’ve been following the site for years. Yep, much better this way.

And of course - there are different styles of selling - let’s call it the soft sell (which is what happens on this website) - and the aggressive sale - which I don’t have the temperament for. In other words - the web is a place where you discover things - they aren’t pushed at you (unless you push sell through ads or letters which I don’t do).

 

FDR Snow & Memories

6 December, 2007 (07:04) | black and white photography | 5 comments

I suppose that I don’t realize how many people come by my little corner of the web, and how they remember images that I once had and removed for one reason or another. The reason that images get removed is as straight-forward: they get their chance in the spotlight for a while, maybe a year - but if they don’t earn their way in the world - they get zapped.

But - they are being stored away in the minds of people. And months, maybe a year after I removed this image I get an email asking what happened to it, along with some other shots I removed. It’s not that I have anything personal against this shot - or the others that I remove - it’s just business. What an artistic concept - eh? I try not to keep more than 100 or so prints up at any one time because - well - again - I find it just gets to be too much to look through.

Fortunately - I keep all my original scans (tons of terabytes now) - and I can usually put my finger on them pretty fast - so up it goes. You want it - here it is. Glad it finally sold because I like it a lot.

I have an awful lot of things that are “non-New York” and that’s something else I want to get to in the new year: a “Non-New York” section where I can show how I once thought I was a distant relative of Ansel. Again - I have to admit that all these exclusions are simply trying to keep the non-sellers away from the twitchy web fingers out there, as well as keeping the branding pointed at New York - the city that has become so symbolically charged since 9-11. Has anyone written a good essay about how New York has been used so often by non-New Yorkers as the new symbolic capitol of - of what exactly I’m not sure.

It’s a far cry from when we were told to Drop Dead - isn’t it.

Anyway - there’s the fleet of sanitation trucks - like the Calvary to the rescue. Let’s go through it again: Sanitation - The Strongest

Fire Department - The Bravest, or is that the police?

Parking Ticket Cops - The Meanest (that’s got to be the worst job in the city)

Politicians - (you can fill in this one)

Norton Support - now you are beyond living beings and on your way to a circle of Dante.

How come none of the New York actors ever run for anything. I want Bobby DeNiro for the next mayor (press conference: You talkin’ to me)

And I want Danny DeVito as they city comptroller. (Dime… bet a dime).

Al Pacino can have any job he wants, but I think I’d like him as the Police Commissioner.

* * * * * *
Lester - is this the shot you mean?

UrinalMan FDR Snow & Memories

I’ve contacted the old geezer and he’s agreed to release the photograph so long as I give him a credit on the photo.  His name is Egbert Sousé.

WHCC I

4 December, 2007 (03:26) | black and white photography | 6 comments

WHCC (White House Color Conversion) lab is sort of spooky fast. They overnighted me a startup guide after I signed up. I calibrated the monitor and sent five test prints to them. I received the prints two days later. (They were perfectly neutral, and matched my monitor perfectly.  They were on the Kodak Endura Lustre paper which I wasn’t crazy about but not bad).

They give you all the info you need in terms of profiles, and color space which is also rare, and I can follow instructions pretty well.

I just uploaded six more, this time using soft proofing, a bit of sharpening, and had them done on the slightly more expensive metallic paper. The software (ROES) for uploading the jpgs is a wonder, which is to say - intelligently designed ( a rarity for pro labs).

2-Day UPS shipping - so long as it is to my Studio (i.e. my home) is free.

So - I’m seriously considering migrating to them for prints - rather than inkjets if the metallic paper is a bit heavier and has a richer b&w tone.

At the same time - I’m assembling a book that I’m going to do with them. It’s hard to spend much time on it now as I’m still behind with the orders. But I have to say - so far - I’m blown away with their efficiency.

Here’s the link to the WHCC site if you want to check them out.

ancient times

3 December, 2007 (13:55) | black and white photography | 21 comments

I had a birthday on Dec. 1st. I turned 56.

Nope - there’s no getting away from it. 56 - four years from 60. Old, old, old. Ancient at best. Most of you can’t even fathom 56 much less 60. When you’re in your 30’s - as most of you are - it just seems like the end of the road. Surely by 50 you’ll have your life figured out. My own adventures began in my late 40’s.

On the other hand - my brain seems to work about the same as usual - but I do wake up with aches and pains. Had a pinched nerve in my shoulder a few weeks ago - that was something new.

My few longish - say a year- trials with women never did turn out very well. My fault - I usually went after beauty rather than substance. Probably related to the photographers eye or something. I don’t know.But my own shallowness was at fault.  Beauty should be rented for a few days - but not a life long commitment.  But I’ve been happier on my own - and that is for sure.

My photo business is going very well - I get a lot of recognition and enjoyment from it. It surely doesn’t feel like a job - and it fits my personality well - in that I pretty much do what I want, when I want - though this time of year it’s very busy and I spend all day packaging and printing.

I make calendars (new this year) and published a book (self published, expensive, but turned out very well) - and so I’m doing what I want to do -and should be grateful - but still - 56. I feel that I should have been at this point in my 30s.

But of course in my 30s I had no idea which end was up. In my 30s I thought I was going to be the next hot film director. In my 40’s I just made money. Everyone was proud of me then - well family-wise everyone was proud. My son the money-maker.

So that’s how it stands. I have arrived at a new place - but the sands of time are running faster - and I hear footsteps behind me.

Your blogger friend - Dave.